BBC Protecting Our Children director: How the programme was made

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Sacha Mirzoeff.jpgby Sacha Mirzoeff, series director of the BBC's documentary series Protecting Our Children

Find out all you need to know about Protecting Our Children and take part in a live chat with experts during the screening.

There are some areas of society where it's said to be impossible to make morally responsible films. Typically the media has chosen to cover social work by going undercover and making investigative programmes. Sadly the end results are often sensationalist films that demonstrate a lack of understanding of the complexity of the work.

And so the bandwagon of poor media coverage of social work trundles on...  

I feel that there is a way of approaching any issue in a documentary as long as there is a clear understanding from all about what is being tackled and how best to do it. 

The director of children's services at Bristol council, Annie Hudson, was open to our approach to show the day-to-day complexities of child protection work. It took months of effort and negotiation to draw up a working protocol that ensured the welfare of children, families and social workers was protected.

We finished with a working protocol, written up by the council's legal department and ratified by the senior family court judge in Bristol. It worked for everyone. On the one hand, it was tougher than the Children Act in terms of identifying children in the public domain during and after proceedings. But on the other hand, it gave the BBC freedom to be able to continue filming during proceedings - as long as everyone was in agreement that it was fine to do so.

Each social worker was given the choice about whether to participate in the series.  Understandably only a small number came forward at first. For those that did, we went through their cases together and discussed the families that might be suitable to approach. Of course even smaller numbers of families agreed to take part. It took months of patient asking before we had enough material to start making the films.

Even with a protocol, how could we at the BBC tell if we were doing the right thing?  We ended up doing the opposite of what many filmmakers strive to do. We rescinded control rather than holding on tight. As many of our contributors are extremely vulnerable, we used a system of rolling consent whereby they, or any of the professionals working with them, could pull out right up until transmission. 

After showing the practically finished films to everyone involved we listened and reacted to their comments. Lawyers, court-appointed guardians, council solicitors, council heads and area managers, our legal advice, editorial policy, our own childcare consultant, the seniors in the BBC and most importantly of all, the families and social workers we filmed, all had their say. It took a long time but we could then rest safe in the knowledge that the end result was balanced, accurate and fair.

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