Culture Vulture

Artists for the NHS. What about social care?

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I’ve just checked out the fascinating Artists for the NHS website. 

The site contains some marvellously thought-provoking posters by artists opposed to the proposed reform of the NHS. 

I wonder whether the adult social care reforms, due out later this year, will inspire such creativity? 



Image credits: 

NHS not for sale by John Hill for Lucky PDF


It’s OK Tommy…. by Mathew Sawyer 

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Dancers from a learning disability dance troupe have recently wowed judges on Sky One’s Got To Dance

Young people from Magpie Dance, a dance company in Bromley, Kent, appeared on the talent show in the second round of auditions. 

They impressed judges with their contemporary routine, but did not make the final selection for the live semi-finals. 

Despite this, David Nurse, director of Magpie Dance youth group, said: “I’m really proud of what they did. They worked really hard to get to that level and hopefully raised the bar of what people think groups of young people with learning disabilities can achieve.” 

Each week Magpie Dance hold dance classes for around 200 young people with learning disabilities from London and south-east England. 

Documentary raises safeguarding concerns

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Last week I caught up with a colleague who told me about a one-off screening of a gritty documentary at an arthouse cinema. 

66 Months follows a vulnerable man in his thirties who struggles fitting in and has a series of abusive relationships, including one with an alcoholic man in his seventies. The film raises issues about adult safeguarding. 

My colleague, who was impressed by the film, acknowledged it would be unlikely ever to get a mainstream cinema release or television screening. 

I’ve checked out the trailer, above, and while the disturbing scenes make for depressing viewing, it does illustrate the difficulties that professionals can face when supporting adults who make decisions that seem to run counter to their best interests. 

The social worker who ‘caught the eye of Margaret Thatcher’

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I recently caught up with Judith Niechcial who has written a fascinating biography about Lucy Faithfull, the social worker who the biographer describes as having “caught the eye of Margaret Thatcher.” 

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A lifelong and passionate campaigner for children, Baroness Lucy Faithfull (1910 - 1996), pictured right, was one of the most renowned social workers of the twentieth century. 

Niechcial explains how she came to choose her subject: “I did the MA in creative writing at University of East Anglia. For my thesis I cast around for someone who nobody had written about before, a woman, and somebody I felt an affinity with. I came up with Lucy Faithfull. I read her entry in the Dictionary of National Biography and took that as a starting point.”

In her research, Niechcial discovered Faithfull’s work through the Second World War to support evacuees and their foster carers. Although she never had any children of her own, as Children’s Officer for Oxford City she made a difference to hundreds of children and families. 

A number of Faithfull’s qualities impressed Niechcial (pictured below). “Lucy was the first qualified social worker in the House of Lords. She had an ability to charm anybody she had met, from the most inarticulate, deprived child right through to duchesses and lords. She was born too late to be a suffragette, but too early to be involved with the feminism of the 1970s. She used her charm and femininity to achieve the outcomes she wanted.”

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Fellow social workers were taken aback when Faithfull became the first social worker to be given a life peerage, particularly as she had accepted an invitation to sit on the Tory benches. “Several people in the social work world were surprised that she, rather than some of the other eminent social workers at that time, was made a life peer. But she caught the eye of Margaret Thatcher and so she was the one who was appointed. There was also surprise that a social worker would take the Tory whip. 

“During her time as a Children’s Officer, and as Director of Social Services for Oxford, nobody knew her what her politics were. But she was very much from a Tory background, with Anglican clergy and army officers in her family tree. Also, under Mrs Thatcher she knew that if she was a Tory she would have the ear of power and access to influence.”

However, during the Thatcher era Faithfull opposed many of the measures the party supported in relation to children’s welfare, earning her the nickname ‘Lady Faithless’ among Conservative whips. Most notable was her influence on the Children Act 1989.

“She did oppose many of the measures that the Tory party was putting forward at that time. She did fantastic, creative work getting groups of care leavers, with mohican hairstyles and studs in their noses, into parliament to meet with peers to explain to them just what it was like leaving care. That made a huge impact on them as most of them had never met people like that before.”

In 1993, Faithfull left a lasting legacy when she founded the child protection charity the Lucy Faithfull Foundation. "Its therapeutic work with sex offenders was groundbreaking," says Niechcial. 

"It was started at a time when people did not accept that there was such a thing as sexual abuse in the family, let alone that perpetrators could be treated. Raising money for such an unpopular cause was a huge challenge for her. She was in her eighties when she set up the charity, which I just thought was just an amazing thing.”

Lucy Faithful: Mother to Hundreds, published by Aldersmead Publishing, is priced £12 and is available from Judith Niechcial

Quirky exhibition highlights end of life issues

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27_boxed_2.jpgIt might sound like an unlikely topic for an arts event, but a festival at the Southbank Centre is currently taking a lighter look at life and death. 

Boxed is a coffin art exhibition that forms part of the centre’s festival, Death: Festival for the Living

The show features designs from Nottingham-based Crazy Coffins, including a car, a giant cocoa bean and a skip. 

Boxed is at the Southbank Centre until January 29. 

Social worker's new play opens next week

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Chris Lee.jpgA dramatic new play about social work opens next week at the Soho Theatre in central London. 

Shallow slumber, written by award-winning writer and social worker Chris Lee (pictured right), takes a look at the relationship between a mother and her social worker. 

As it unfolds, the story illustrates the dilemmas faced by social workers when working with clients. 

This is Lee's first play to tackle issues from his daily life as social worker in Camden, north London. 

Speaking to the arts website Spoonfed about his play, Lee said: “There are questions asked about the boundary between professionalism, and over involvement, between therapeutic relationship and friendship”. 

“For social workers, they can fail if they intervene and they can fail if they don't intervene. In some ways it's a no-win situation.” 

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Post show talk

Following the performance on Tuesday 14 February there will be a discussion about contemporary social work and the issues raised by the play. Panellists include the playwright Chris Lee, Penny Thompson, chief executive of the GSCC and Claire Barcham, professional practice adviser at the College of Social Work.   

Shallow Slumber is at the Soho Theatre from 24 January to 18 February.

Is disability a laughing matter?

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Abnormally_Funny_169.jpgIs disability a laughing matter? The comedians at Abnormally Funny People seem to think so.  

But we’re not talking about the likes of Jimmy Carr or Frankie Boyle, as the performers at AFP are disabled themselves.
  
Their monthly comedy night is being held at the Soho Theatre in central London, with the first show featuring AFP stalwarts Gareth Berliner and Mat Fraser, presenter of the BBC’s Ouch! podcast. 

Each month the line-up changes, though in the interests of equality they aim to include one ‘token’ (ha!) able-bodied comedian. Sounds like a hoot. 

Abnormally Funny People is at the Soho Theatre on Monday 16 January. 

Thatcher’s mental decline portrayed in film

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Margaret Thatcher was a formidable prime minister and the trailer for The Iron Lady film includes a speech about her heading “the most hated government this country has known.” 

But while Thatcher was a fearsome leader, the controversial biopic also shows her as a vulnerable older person struggling with the onset of dementia. 

Meryl Streep, who plays Thatcher, has defended the film and the depiction of the former PM’s mental decline. 

Streep was quoted in the Daily Mail as saying: “We don’t diminish her or her achievements in any way, and the fact that someone as strong and as empowering as Lady Thatcher can be affected by dementia underlines what we are saying all the way through the film - that she is human, mortal and vulnerable. 

“Dementia is a subject with which most of us - sadly - are familiar, through family and friends, and I don’t think it’s something we should shy away from featuring in a movie.” 

The Iron Lady is on general release in cinemas nationwide.

Children's home drama returns to screens

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608.jpgBeaker's back! Yes, Tracy Beaker Returns returns to our screens this Friday (image: BBC). Tracy Beaker, played by Dani Harmer, is back as the impulsive support worker who knows all about growing up in a children’s home (or the Dumping Ground, as it’s known to the residents). 

Starring Dani Harmer as Tracy Beaker, the new series, devised by the award-winning children’s author Jacqueline Wilson, kicks off with the arrival of four new young people at the home, along with a care worker who doesn’t seem to care about the kids at all. 

The new series of Tracy Beaker Returns starts on Friday 6 January on CBBC

Reminiscence brings Christmas cheer

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Capture.JPGIn the run up to Christmas, Age Concern Southwark have been working with Create, a creative arts charity, to help transform the lives of older people. 

Memories and Tales, a creative writing and storytelling project, was designed to keep participants active and reduce isolation among older people - a growing problem in our ageing society according to research by Age UK, who found that over one million pensioners regularly feel lonely. 

The charities' reminiscence project spread a little Christmas cheer last week as it culminated in a performance with participants reciting their own poetry and singing songs, drawing on the festive season as a source of inspiration. 

About the Culture Vulture blog

   
 

Culture Vulture uncovers social care issues in the world of art and culture. It looks at exhibitions, comedy, theatre, film and – for armchair culture vultures – what’s happening on TV.

It is written by Community Care’s practice adviser Mark Drinkwater.

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