The Albany, Deptford, London and on tour: 24 November, Unity Theatre, Liverpool; 26 November, Lakeside Arts Centre, Nottingham
STAR RATING: 4/5
Thalidomide? A musical? That’s right, a song and dance show set against the 1960s scandal of the drug originally developed by Dr Heinrich Muekter, which was marketed as a safe drug for among other things headaches and, of course, morning sickness, writes Mark Drinkwater.
But before long my companion and I were tapping our toes to catchy little numbers like Monster Babies! and Talk to the Flipper ‘Cos the Face Don’t Care (a reference to writer, composer and performer Mat Fraser’s short arms), all influenced by a host of musical genres from country to reggae.
Starring alongside the excellent Fraser, who in this raucous show has drawn on his and others’ life experiences, is Anna Winslet (yes, Kate’s sister). Both give us a potted history of the cover-ups and greed of the pharmaceutical company producing the “miracle” drug. This production, irreverent from start to improbable finish, will doubtless cause offence to some (indeed the show’s publicity gleefully reproduces quotes from the offended) but is worth seeing. Andrew Lloyd Webber it ain’t.
Mark Drinkwater is a community worker in Southwark, south London
Theatre review: Thalidomide!! A Musical
November 24, 2005 in Children
More from Community Care
Related articles:
Job of the week
Employer Profiles
Workforce Insights
Harnessing social work values to shape your career pathway
Would you move from the city to work in a more rural setting?
Webinar: building a practice framework with the influence of practitioner voice
‘They don’t have to retell their story’: building long-lasting relationships with children and young people
Podcast: returning to social work after becoming a first-time parent
How managers are inspiring social workers to progress in their careers
Workforce Insights – showcasing a selection of the sector’s top recruiters
Comments are closed.